Chinese Language

December 29, 2009
The majority of China population speaks the Chinese macro-language, formed by a diversity of Han native dialects. Nearly 1.2 billion speakers are part of the Chinese family language distributed in all regions with its own tonal and analytic variants.

Most Chinese speak Mandarin (c. 885 million speakers), outnumbering any other language in the world. It is followed by Wu (c. 90 million), Cantonese (c. 71 million) and Min (c. 70 million). The different tones and syntax of the dialects convert them into languages mutually unintelligible.

Standard Mandarin (Putonghua), which is based on a Mandarin dialect of Beijing, is China抯 official language spoken by 70 percent of the people, principally in northern and central China. Standard Mandarin is also an official language in Taiwan, Singapure and the United Nations.

Aside from Mandarin dialects, there are six other Chinese dialect groups, spoken principally in southern and southeastern China such as the Wu dialects, spoken in the Shanghai-Jiangsu-Zhejiang area; the Yue dialects (also known as Cantonese), spoken in Guangzhou, Hong Kong (together with English) and Macau (together with Portuguese); and the Min Nan dialects, spoken in southern Fujian, Taiwan, Southeast Asia and by many Chinese descent around the world.

Although the Han dialects are inarticulate in their spoken forms, they have shared a common written method for more than three millennia. Ancient literature and history has helped to keep together the inhabitants of northern, central, and southern China. The problem of the Chinese written language is that it is based on individual symbols called characters (80,000 words), each of which represents an idea or thing without any alphabet.

The Communist government has developed a Romanization system using the Latin alphabet, called Pinyin (a representation of the spoken sounds of Putonghua) since the 1950s, and it is now in general use by people, which are urged to learn in the schools throughout the country.

There are many Chinese minorities which still speak his own language-dialect, like Mongolian, Tibetan, Miao (Hmong), Yi, Uygur, and Kazakh. These languages traditionally didn’t have a written form but today the government has encouraged the improvement of written scripts for these native dialects, using pinyin.

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Chinese Traditional music

December 29, 2009

In current Chinese cities the traditional style has been reduced to the kitsch folk troupes that only can be heard in hotels and concert halls, and it have to compete with bland pop.

Conversely, a wide range of traditional music still thrives throughout the countryside; and can be heard in weddings, funerals, temple fairs, festivities and even in tea houses. Another distinct edgier sound can be heard in certain smoky city bars, a new form of urban anxiety expressed through rock.

Hong Kong and Taiwan are commercialized segments with their own musical features. The more varied and stylized types are in mainland China.

The music of China dates back to the earlier Chinese civilization. Some documents and artifacts are an indication of a well-developed musical culture since the time of the Zhou dynasty, three millennia ago. Then, several dynasties added particular characteristics performing a singular music style with different instruments renowned in the world.

Traditional music


The mythological creator of music is Ling Lun, who inspired in the sounds of birds made a bamboo pipe. But the Traditional Chinese music dates back around 8,000 years founded on the discovery of a bone flute created during the Neolithic Age. The oldest written music is Youlan or the Solitary Orchid, attributed to Confucius.

In the earlier Xia, Shang and Zhou dynasties, music was reserved only for the royal families and dignitary officials. It was principally made on chimes and bells.

Later, in the Tang dynasty, dancing and singing became very popular, spreading from the court to the common people. Another important influence in the Chinese music was the inclusion of foreign religions like Buddhism and Islam. Exotic and spiritual melodies were introduced in Chinese customs and were accepted with pleasure by the Chinese people.

During the Song dynasty, innovative opera including the traditional Zaju and Nanxi -was performed in theatres, tearooms and showplaces. New writers and artists created a new type of literature resembling lyrics called Ci. In the Yuan dynasty, Qu, another type of literature based on melodies turned into popular. During this period also were created numerous musical instruments including the pipa, the flute, and the zither.

After these periods, in the Ming and Qing dynasties, the art of traditional opera grew speedily and diversely in many regions. When these unique opera styles were performed at the capital Beijing, artists united the essence of the regional styles and created the great Beijing opera, one of three cornerstones of Chinese culture among with the Chinese medicine and Chinese painting, which still continue to be valued in modern times.

In addition to these types of music, Chinese peasants have composed folk songs for centuries, developing separately their local essence. Folk songs usually describe the working and daily life of people like fishing, farming, and herding; and are popular in rural areas until now, despite the restrictions suffered by the Communism.

 

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