Forbidden City — General introduction

December 31, 2009

Lying at the center of Beijing, the Forbidden City, called Gu Gong in Chinese, was the imperial palace during the Ming and Qing dynasties. Now known as the Palace Museum, it is to the north of Tiananmen Square. Rectangular in shape, it is the world’s largest palace complex and covers 74 hectares. Surrounded by a six meter deep moat and a ten meter high wall are 9,999 rooms. The wall has a gate on each side. Opposite the Tiananmen Gate, to the north is the Gate of Divine Might (Shenwumen), which faces Jingshan Park. The distance between these two gates is 960 meters, while the distance between the gates in the east and west walls is 750 meters. There are unique and delicately structured towers on each of the four corners of the curtain wall. These afford views over both the palace and the city outside.

The Forbidden City is divided into two parts. The southern section, or the Outer Court was where the emperor exercised his supreme power over the nation. The northern section, or the Inner Court was where he lived with his royal family. Until 1924 when the last emperor of China was driven from the Inner Court, fourteen emperors of the Ming dynasty and ten emperors of the Qing dynasty had reigned here. Having been the imperial palace for some five centuries, it houses numerous rare treasures and curiosities. Listed by UNESCO as a World Cultural Heritage Site in 1987, the Palace Museum is now one of the most popular tourist attractions world-wide.

Construction of the palace complex began in 1407, the 5th year of the Yongle reign of the third emperor of the Ming dynasty. It was completed fourteen years later in 1420. It was said that a million workers including one hundred thousand artisans were driven into the long-term hard labor. Stone needed was quarried from Fangshan, a suburb of Beijing. It was said a well was dug every fifty meters along the road in order to pour water onto the road in winter to slide huge stones on ice into the city. Huge amounts of timber and other materials were freighted from faraway provinces.

Ancient Chinese people displayed their very considerable skills in building the Forbidden City. Take the grand red city wall for example. It has an 8.6 meters wide base reducing to 6.66 meters wide at the top. The angular shape of the wall totally frustrates attempts to climb it. The bricks were made from white lime and glutinous rice while the cement is made from glutinous rice and egg whites. These incredible materials make the wall extraordinarily strong.

Since yellow is the symbol of the royal family, it is the dominant color in the Forbidden City. Roofs are built with yellow glazed tiles; decorations in the palace are painted yellow; even the bricks on the ground are made yellow by a special process. However, there is one exception. Wenyuange, the royal library, has a black roof. The reason is that it was believed black represented water then and could extinguish fire.

Nowadays, the Forbidden City, or the Palace Museum is open to tourists from home and abroad. Splendid painted decoration on these royal architectural wonders, the grand and deluxe halls, with their surprisingly magnificent treasures will certainly satisfy ‘modern civilians’.

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Chinese Language

December 29, 2009
The majority of China population speaks the Chinese macro-language, formed by a diversity of Han native dialects. Nearly 1.2 billion speakers are part of the Chinese family language distributed in all regions with its own tonal and analytic variants.

Most Chinese speak Mandarin (c. 885 million speakers), outnumbering any other language in the world. It is followed by Wu (c. 90 million), Cantonese (c. 71 million) and Min (c. 70 million). The different tones and syntax of the dialects convert them into languages mutually unintelligible.

Standard Mandarin (Putonghua), which is based on a Mandarin dialect of Beijing, is China抯 official language spoken by 70 percent of the people, principally in northern and central China. Standard Mandarin is also an official language in Taiwan, Singapure and the United Nations.

Aside from Mandarin dialects, there are six other Chinese dialect groups, spoken principally in southern and southeastern China such as the Wu dialects, spoken in the Shanghai-Jiangsu-Zhejiang area; the Yue dialects (also known as Cantonese), spoken in Guangzhou, Hong Kong (together with English) and Macau (together with Portuguese); and the Min Nan dialects, spoken in southern Fujian, Taiwan, Southeast Asia and by many Chinese descent around the world.

Although the Han dialects are inarticulate in their spoken forms, they have shared a common written method for more than three millennia. Ancient literature and history has helped to keep together the inhabitants of northern, central, and southern China. The problem of the Chinese written language is that it is based on individual symbols called characters (80,000 words), each of which represents an idea or thing without any alphabet.

The Communist government has developed a Romanization system using the Latin alphabet, called Pinyin (a representation of the spoken sounds of Putonghua) since the 1950s, and it is now in general use by people, which are urged to learn in the schools throughout the country.

There are many Chinese minorities which still speak his own language-dialect, like Mongolian, Tibetan, Miao (Hmong), Yi, Uygur, and Kazakh. These languages traditionally didn’t have a written form but today the government has encouraged the improvement of written scripts for these native dialects, using pinyin.

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Chinese Traditional music

December 29, 2009

In current Chinese cities the traditional style has been reduced to the kitsch folk troupes that only can be heard in hotels and concert halls, and it have to compete with bland pop.

Conversely, a wide range of traditional music still thrives throughout the countryside; and can be heard in weddings, funerals, temple fairs, festivities and even in tea houses. Another distinct edgier sound can be heard in certain smoky city bars, a new form of urban anxiety expressed through rock.

Hong Kong and Taiwan are commercialized segments with their own musical features. The more varied and stylized types are in mainland China.

The music of China dates back to the earlier Chinese civilization. Some documents and artifacts are an indication of a well-developed musical culture since the time of the Zhou dynasty, three millennia ago. Then, several dynasties added particular characteristics performing a singular music style with different instruments renowned in the world.

Traditional music


The mythological creator of music is Ling Lun, who inspired in the sounds of birds made a bamboo pipe. But the Traditional Chinese music dates back around 8,000 years founded on the discovery of a bone flute created during the Neolithic Age. The oldest written music is Youlan or the Solitary Orchid, attributed to Confucius.

In the earlier Xia, Shang and Zhou dynasties, music was reserved only for the royal families and dignitary officials. It was principally made on chimes and bells.

Later, in the Tang dynasty, dancing and singing became very popular, spreading from the court to the common people. Another important influence in the Chinese music was the inclusion of foreign religions like Buddhism and Islam. Exotic and spiritual melodies were introduced in Chinese customs and were accepted with pleasure by the Chinese people.

During the Song dynasty, innovative opera including the traditional Zaju and Nanxi -was performed in theatres, tearooms and showplaces. New writers and artists created a new type of literature resembling lyrics called Ci. In the Yuan dynasty, Qu, another type of literature based on melodies turned into popular. During this period also were created numerous musical instruments including the pipa, the flute, and the zither.

After these periods, in the Ming and Qing dynasties, the art of traditional opera grew speedily and diversely in many regions. When these unique opera styles were performed at the capital Beijing, artists united the essence of the regional styles and created the great Beijing opera, one of three cornerstones of Chinese culture among with the Chinese medicine and Chinese painting, which still continue to be valued in modern times.

In addition to these types of music, Chinese peasants have composed folk songs for centuries, developing separately their local essence. Folk songs usually describe the working and daily life of people like fishing, farming, and herding; and are popular in rural areas until now, despite the restrictions suffered by the Communism.

 

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Jiangsu Province

December 22, 2009

With some of the most productive soils and temperate climate of the nation, Jiangsu is a culturally and geographically, on the south side of the river Yangtze. Rivers and canals crisscrossed the area, shape and image of the typical so-called “water towns”

Plenty of water makes a delicacy in the world. Garden, embroidery, all the traditional culture is amazing. Despite the modern cities of the province of Jiangsu, the traditional charm of the simple but elegant. Cities Suzhou and Yangzhou famous for its beautiful classical Chinese gardens became famous, and attracts visitors from around the world. Another city is famous for water Wuxi, which is also known for its magnificent art and crafts tea.

As one of the oldest inhabited areas in China, the province is rich in cultural history. Nanjing, the capital, has some excellent museums, reviewing the history and development of the region and in modern history.

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Chinese Dragon Culture

December 18, 2009

The chinese dragon is one of the most recognized symbols in the world.We see this splendid creature in picturespostersin paintings and on the streets during chinese festivals.Dragons are deeply rooted in chinese cultureso chinese people often consider themselves the descendants of the dragon.Nobody really knows where the chinese dragon comes from.It look like a combination of many animalsand it may be just a product of the chinese imagination.-

Chinese emperors believed that they were the real dragonsandthe sons ofthe heavens.Thusand the beds -they slept on were called”dragon beds”their thrones called”dragon seats “and the emperor’s ceremonial dresses call”dragon robes”.Dragons can also be seen on the buildings of the Imperial Palace. The dragon is a symbol of imperial power.

The dragon also plays an important part in chinese festivals.The D ragon Boat Festival is an almost purely dragon related festivalwhich is now a popular internatial event.There are many chinese stories about the dragon.There is a very famous chinese idiom-”Lord Ye’s Love of Dragons”which means loving what one really fears.The story goes like this:Lord Ye loved dragons deeply.He had dragon images everywhere and he thought about dragons all the time.His love of dragons imspired a real dragonhe was frightened to death.

Dragon cultures exist in both the Eastern and Western world.HoweverWestern dragons look significantly different to the chinese dragon.

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